
Content warning: This exercise engages with difficult themes including trauma, dislocation, silencing, state repression and racial, gender or sexual prejudice. Anyone who does not feel comfortable can step out and is welcome to return as and when they feel able. In this activity, there will be three rounds of what will feel like disintegration, and then we will explore ways of re-integrating what we have left and what we have experienced in the exercise.
Section 1: 20 mins
- Sit in a circle.
- Start with this print copy of an archival image/record/object/ a piece of newspaper/or even a blank piece of paper, in your hands. For the purpose of this exercise, these, taken together, are your collective archive.
- Keep your focus on the piece of paper in front of you. Hold it, touch it. Notice its texture. Breathe slowly, in through your nose, into your belly, and slowly, out through your mouth. Notice sensations in your body.
- I will be making some statements. Every time a statement resonates with your experience, tear off a little of your paper somewhere. Discard the piece to the floor and keep hold of the rest of the paper. Keep breathing!
- Then, pass your ‘kept’ piece around the circle to the next person, before I read the next statement.
- I will intermittently check in with everyone. As a reminder, if you don’t feel comfortable, feel free to stop, relax have a lie down if you want to.
- Make one tear in your paper if you have ever lost anything. [As a reminder, now pass to the next person on your right, take the piece on your left]
- Make one tear in your paper, if you have moved house more than twice. [Again, pass your paper along to your right, and take the piece on your left]
- Make a tear in your paper if your home has ever flooded, or it has mould.
- Make a tear in your paper if your home has been on fire or has been damaged by an earthquake.
Ok, well done so far. Let’s have a breathe and stretch for one minute. Then, sit down again in the circle. Some more statements are coming up that are quite difficult, Again, focus on the paper in front of you, and breathe
- Make one tear if you tend to forget things.
- Make one tear in your paper, if your parents are no longer together, or you are estranged from them.
- Make two tears in your paper if you have moved from an area of global conflict.
- Make two tears in your paper if you were in care.
- Make one tear in your paper if you are a carer for somebody.
- Make one tear in your paper if you have a disability or health condition that has impacted on your everyday activities.
- Make one tear in your paper if your household had claimed benefits (e.g. Universal Credit; Free School Meals; Housing Benefit; Income Support; Job Seekers Allowance, etc)
Well done. We are almost there a few more things to consider. But let’s have another quick stretch! Well done, so far.
- Make a tear in the paper if you find it hard to keep in touch with old friends.
- Make two tears, if exploring your family history would take you to a colonised, or formerly colonised, country.
- Make a tear in your paper if you have experienced racism.
- Make a tear in your paper if you have experienced sexism, homophobia or transphobia.
- Make a tear in your paper if you or your family have experienced prejudice against your religion, or culture.
- Make a tear if you, your family, or your friends have been subject to censorship: Restrictions on your freedom of expression, either by a nation-state, institution, or the culture you, or they lived in.
Section 2: 40 mins
- Well done, that was not easy!
- With your remaining piece of paper in your hand, however small, bring them together to stick them down on this central, larger piece of paper, with pritt-stick. Make sure that each piece touches at least one other piece that has been stuck down. Stand back and look at the result. [10 mins]
- Well done
- Then select one of the larger discarded pieces from the floor. Treat it lovingly. Note down a word, words, or a sentence (in a language of your choosing) that comes to your mind, reflecting on the experience we have just had. [5 mins]
- Select another discarded piece. Treat it lovingly, as a precious object. Draw on it in a way that is satisfying to you. It might be a particular mark or shape you want to explore within the space of the piece of paper. See if you can cover the piece of paper with the mark or shape that you find satisfying to draw. [10 mins]
- Bring these written and drawn pieces together to this new large sheet of paper and make a collage together. Make sure each piece is stuck down well with pritt stick. Again, let each piece touch one other piece on the paper. [5 mins]
- Select another piece from the floor. Write any further thoughts or words down that have occurred to you. Stick them to this second collage, touching to the other pieces already stuck down. [5 min]
- Well done
- Together, clear up any other pieces from the floor to tidy the space ready for the next class. Place them in the recycling, or keep them to take with you, if you want to, for another artwork later [5 mins]
- Well done. If you are happy to share anything about your experience, feel free to.
The idea with this exercise that by passing the papers to each other, we all take collective ownership for how societal and archival biases affects our collective memory and attempt to tell stories. That whilst it is uncomfortable, we have a collective role to play, in attempting to make sense of the contingent evidence we have available to us, and in trying to understand where the gaps and silences are.

Cox, Leah, ‘Pedagogies of Discomfort,’ (Lecture given from University of Winchester to UAL PG Cert, Inclusive Practices Module, Online, Wednesday 14 May)
Faal, Babou, ‘Fabric wall hanging’, artwork/archival object from the Tell Us About It archive, TU/4/2
roush, p., ‘Chaos of Memories: Surviving Archives and the Ruins of History
According to the Found Photo Foundation’, in Order and Collapse: The Lives of Archives (2016), Published by Photography at Valand Academy, University of Gothenburg, Hasselblad Foundation, Art and Theory Publishing.
Sawyer, B, ‘Fragments’, from the Barbara Sawyer Archive, BSY/3/2/1/11