Inclusive Practices [Supplementary] – New Intervention, post feedback: Collaborative Collage-making to explore Archival Bias [and pedagogies of discomfort]

Red and grey painted pattern cut into shapes and stuck down. The pattern cuts across the shapes
‘Fragments’, Barbara Sawyer Archive, Archive Ref: BSY/3/2/1/11. Barbara Sawyer was a former textiles teacher at Camberwell College of Arts.

Content warning: This exercise engages with difficult themes including trauma, dislocation, silencing, state repression and racial, gender or sexual prejudice. Anyone who does not feel comfortable can step out and is welcome to return as and when they feel able. In this activity, there will be three rounds of what will feel like disintegration, and then we will explore ways of re-integrating what we have left and what we have experienced in the exercise.

Section 1: 20 mins

  • Sit in a circle.
  • Start with this print copy of an archival image/record/object/ a piece of newspaper/or even a blank piece of paper, in your hands. For the purpose of this exercise, these, taken together, are your collective archive.
  • Keep your focus on the piece of paper in front of you. Hold it, touch it. Notice its texture. Breathe slowly, in through your nose, into your belly, and slowly, out through your mouth. Notice sensations in your body.
  • I will be making some statements. Every time a statement resonates with your experience, tear off a little of your paper somewhere. Discard the piece to the floor and keep hold of the rest of the paper. Keep breathing!
  • Then, pass your ‘kept’ piece around the circle to the next person, before I read the next statement.
  • I will intermittently check in with everyone. As a reminder, if you don’t feel comfortable, feel free to stop, relax have a lie down if you want to.
  • Make one tear in your paper if you have ever lost anything. [As a reminder, now pass to the next person on your right, take the piece on your left]
  • Make one tear in your paper, if you have moved house more than twice. [Again, pass your paper along to your right, and take the piece on your left]
  • Make a tear in your paper if your home has ever flooded, or it has mould.
  • Make a tear in your paper if your home has been on fire or has been damaged by an earthquake.

Ok, well done so far. Let’s have a breathe and stretch for one minute. Then, sit down again in the circle. Some more statements are coming up that are quite difficult, Again, focus on the paper in front of you, and breathe

  • Make one tear if you tend to forget things.
  • Make one tear in your paper, if your parents are no longer together, or you are estranged from them.
  • Make two tears in your paper if you have moved from an area of global conflict.
  • Make two tears in your paper if you were in care.
  • Make one tear in your paper if you are a carer for somebody.
  • Make one tear in your paper if you have a disability or health condition that has impacted on your everyday activities.
  • Make one tear in your paper if your household had claimed benefits (e.g. Universal Credit; Free School Meals; Housing Benefit; Income Support; Job Seekers Allowance, etc)

Well done. We are almost there a few more things to consider. But let’s have another quick stretch! Well done, so far.

  • Make a tear in the paper if you find it hard to keep in touch with old friends.
  • Make two tears, if exploring your family history would take you to a colonised, or formerly colonised, country.
  • Make a tear in your paper if you have experienced racism.
  • Make a tear in your paper if you have experienced sexism, homophobia or transphobia.
  • Make a tear in your paper if you or your family have experienced prejudice against your religion, or culture.
  • Make a tear if you, your family, or your friends have been subject to censorship: Restrictions on your freedom of expression, either by a nation-state, institution, or the culture you, or they lived in.

Section 2: 40 mins

  • Well done, that was not easy!
  • With your remaining piece of paper in your hand, however small, bring them together to stick them down on this central, larger piece of paper, with pritt-stick. Make sure that each piece touches at least one other piece that has been stuck down. Stand back and look at the result. [10 mins]
  • Well done
  • Then select one of the larger discarded pieces from the floor. Treat it lovingly. Note down a word, words, or a sentence (in a language of your choosing) that comes to your mind, reflecting on the experience we have just had. [5 mins]
  • Select another discarded piece. Treat it lovingly, as a precious object. Draw on it in a way that is satisfying to you. It might be a particular mark or shape you want to explore within the space of the piece of paper. See if you can cover the piece of paper with the mark or shape that you find satisfying to draw. [10 mins]
  • Bring these written and drawn pieces together to this new large sheet of paper and make a collage together. Make sure each piece is stuck down well with pritt stick. Again, let each piece touch one other piece on the paper. [5 mins]
  • Select another piece from the floor. Write any further thoughts or words down that have occurred to you. Stick them to this second collage, touching to the other pieces already stuck down. [5 min]
  • Well done
  • Together, clear up any other pieces from the floor to tidy the space ready for the next class. Place them in the recycling, or keep them to take with you, if you want to, for another artwork later [5 mins]
  • Well done. If you are happy to share anything about your experience, feel free to.

The idea with this exercise that by passing the papers to each other, we all take collective ownership for how societal and archival biases affects our collective memory and attempt to tell stories. That whilst it is uncomfortable, we have a collective role to play, in attempting to make sense of the contingent evidence we have available to us, and in trying to understand where the gaps and silences are.

Colour photograph of a fabric artwork made from sewn sections of printed canvas with text, images and a London tube map and samples of other fabric. The printed text shares Babou Faal's experience as a student at London College of Fashion
Babou Faal: Fabric wall hanging, Tell Us About It archive, Archive Ref: TU/4/2. Babou Faal was a student at London College of Fashion.

Cox, Leah, ‘Pedagogies of Discomfort,’ (Lecture given from University of Winchester to UAL PG Cert, Inclusive Practices Module, Online, Wednesday 14 May)

Faal, Babou, ‘Fabric wall hanging’, artwork/archival object from the Tell Us About It archive, TU/4/2

roush, p., ‘Chaos of Memories: Surviving Archives and the Ruins of History
According to the Found Photo Foundation’, in Order and Collapse: The Lives of Archives (2016), Published by Photography at Valand Academy, University of Gothenburg, Hasselblad Foundation, Art and Theory Publishing.

Sawyer, B, ‘Fragments’, from the Barbara Sawyer Archive, BSY/3/2/1/11


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Inclusive Practices Blog 3: Race

The two readings1 “bookend” the educational experience of racialised students in the UK. The first, their entry into the education system when starting school. The second, the Phd and contemplating academia as a career. Both articles do so from a Critical Race Theory (CRT) perspective. Also, in terms of their positionality, both are published in academic journals.

The policy of the ‘one-size fits all’ is not necessarily beneficial to any student. But Bradbury (2020), developing a CRT framework, shows how a baseline assessment policy can particularly affect the outcomes for students with English as an Additional Language (EAL). And this also may intersect with race.

The framework offers a range of questions on the development and application of the policy to see not ‘who benefits?’ but rather, how white people benefit/white dominance is prioritised. Examining the ‘policy silences’ might show not ‘who is disadvantaged?’ but rather ‘how are minoritised groups disadvantaged?’.

The ‘context of influence’, Bradbury argues, is a ‘color-blind’ one. ‘White people gain in that they do not appear ‘racist’, but neither are they accused of ‘political correctness’ in creating particular conditions of assessment for EAL children’. Whether ‘white people’ created the policy, in literal terms, I think Bradbury means how the idea of ‘neutrality’ as such, in this framework, supports systemic whiteness.

Whether ‘white people’ create the policy, in literal terms, I think Bradbury means something about how the idea of ‘neutrality’ as such, in this framework, supports systemic whiteness.

This is like how Eddo-Lodge asserts, ‘When I write about white people…I don’t mean every individual white person. I mean whiteness as a political ideology. A school of thought that favours whiteness at the expense of those who aren’t… It affords an unearned power; it is designed to maintain a quiet dominance.’ Or more briefly, ‘Neutral is white. The default is white’. (2017).

This definition, to me, seems to be multivalent: “not all white people, (but also, yes, all white people!).” And there might be good reason for this, from a social justice/reparative perspective.

Garrett (2024) introduces intersectionality to better explore experiences of Phd students. I was struck by the experience of a student who found their racialised identity had been acknowledged/accepted by the institution as something they could speak to, but not their experience of neurodiversity. The implication is that if neurodivergent needs had been better met, they would be less excluded (and, in this context, therefore, less likely be another “statistic” of a person with a racialised minority identity, excluded from academia).

This connected for me to the task of resisting some of the generalisations, and who can speak to what, which I think Asif Sadiq is trying to navigate through in his talk.

Bradbury (2020) critiques ‘interest convergence’: ‘how even seemingly progressive moves may, in fact, benefit whiteness’. This reminded me of my own failure to focus on one specific intersectional identity in my teaching intervention.

In future, I will consider, better, how focusing on making things inclusive for a particular student experience might have wider positive impact.

However, in addition, for me, I believe that the task of building the ‘world of the you’ (Fanon, 1952), also involves a political commitment, with and through class action. My positionality here is guided by my private political commitments, separate from the professional role I play, but also “intersecting” with work.

This is not really addressed in the scope of these resources. But it is for this reason I want to promote the current campaign of staff and students at UAL, to End the Outsourcing of cleaning staff .

And also, for myself and for students, a prayer, ‘make of me always a [person] who questions’. (Fanon, 1952; 1986).

Bibliography

Bradbury, Alice. 2020. A critical race theory framework for education policy analysis: The case of bilingual learners and assessment policy in England. Race Ethnicity and Education23(2), pp.241-260

Eddo-Lodge, Reni. 2017. Why I’m No Longer Talking to White People about Race, London: Bloomsbury

Fields, Barbara J. & Fields, Karen E. 2012. Racecraft: The Soul of Inequality in American Life. London: Verso

Fanon, Frantz, 1986. Black Skin, White Masks. London: Pluto Press. (First published in the French, 1952)

Garrett, Rihanna. 2024. Racism shapes careers: career trajectories and imagined futures of racialised minority PhDs in UK higher education. Globalisation, Societies and Education, pp.1–15.

Sadiq, Asif. 2023. ‘Diversity, Equity & Inclusion. Learning how to get it right’. TEDx [Online}. Youtube. 2 March. Available at: https://www.youtube.com/watch?v=HR4wz1b54hw 

UAL End Outsourcing Campaign, https://www.instagram.com/ualendoutsourcing/?hl=en, Accessed 21/06/2025

  1. I choose to focus on the two readings, as I did not feel the space to be able to also address the videos, although I do refer to Asif Sadiq’s talk. ↩︎
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Inclusive Practices: Intervention: Second Draft!

Enhancing small group learning activities for students discussing archival bias: Using assigned roles, new prompts, pen, paper and a digital padlet.

Screen shot of a padlet activity for small groups
Draft padlet for enhancing small group activity on the topic of archival bias

‘The presences and absences embodied in sources or archives are neither neutral or natural. They are created […] Sources are thus instances of inclusion, the other face of which is, of course, what is excluded.’

Michel-Rolph Trouillot, Silencing the Past

Padlet Link

In our work in the Archives and Special Collections Centre, we run many one-off workshops for courses, in liaison with tutors. These sessions introduce our services, what archives are, share items from our collection and some of the things to consider when researching with archives.

We encourage students to become critical researchers, and introduce students to the topic of archival bias. (Trouillot, 1995) 1.

Having introduced and explained the concept, we ask the students to get into small groups to consider the following questions:

  • How might archival bias affect your research and/or creative practice using archives?
  • What strategies might you use to try to mitigate the effects of archival bias?

We then offer students the chance to feed back to the whole class.

  • Challenge 1: With one-off sessions we cannot build up a relationship with the individual students to understand their needs.
  • Challenge 2: Many students do not feel comfortable participating verbally in class. There may be different reasons for this (Harris, 2022; Orgill, 2023), including due to language barriers, or neurodivergence.
  • Challenge 3: During the collective feedback to class, students sometimes “switch off” once their group has fed back. This is especially so if there are many small groups in a large class. Students not listening to their peers does not foster an inclusive environment.

Group Activities and Verbal Participation

Using group activities is already intended to facilitate peer-to-peer learning (Kryousi, 2022; Chickering and Gamson, 1987).

But there might be more we can do to develop some of these activities to help students engaging with the content (Harvard Kennedy School, 2025; Espey, 2018; Davidson et al, 2014; Biggs, 2003).

My colleague Georgina Orgill (2023) did research for her PG cert on the expectations around verbal participation in our sessions, and using an anonymised padlet, as a way to help students to feel more comfortable to do so.

Small group work can also be a way of facilitating verbal participation, towards an intersectional practice, where students feel more comfortable sharing ideas within smaller break-out groups (Willcocks, 2023)2.

Small Group Activities and question prompts:

Davidson et al (2014) and Roberson and Franchini, (2014), argue that for productive conversations in short-term small group activities, the prompt needs to focus students on a particular problem, where they are tasked to decide on a course of action and their reasons for it.

So, in this context, rather than starting with an open-ended question, e.g., “How might archival bias affect your research and/or creative practice using archives?” we might instead present the students with live examples from our collections in a scenario where the students have to make a decision and reflect critically on why.

Listening and taking notes:

I wanted to find a way for the collective group feedback to be done differently, via Padlet, in a way that would:

  • Still allow students to hear from each other and find out at least something of what was discussed in other groups (This is what is sometimes called ‘Jigsaw-ing’). (U. Waterloo, 2023; Harvard Kennedy School, 2025).
  • Be accountable to each other, and demonstrate active listening, by assigning roles within the group (Washington University, 2025; TPP Unit, 2025). If one person is assigned to take notes on the padlet, the rest can really listen.
  • Allow us as teachers to hear/read something of what was discussed to assess how well students had grasped the key concept (Imperial College, 2025).
  • Allow students to consolidate their learning by referring back to the conversation later, through notes taken in a shared space. The padlet therefore acts as an additional asynchronous resource, to remind students of what they discussed (adhd centre.co.uk, accessed 2025; Imperial College, 2025).

Bibliography

Books:

Trouillot, M-R. (1995). Silencing the Past: Power and the Production of History, Boston: Beacon Press

Chapters and Articles:

John Biggs, J. (2003), ‘Aligning teaching for constructing learning’, The Higher Education Academy
Chickering, A. W. and Gamson, Z F. (1987), ‘Seven Principles For Good Practice in Undergraduate Education’, Washington Center News, Fall 1987
Davidson, N., Major, C. H., & Michaelsen, L. K. (2014). ‘Small-group learning in higher education—cooperative, collaborative, problem-based, and team-based learning: An introduction by the guest editors’. Journal on Excellence in College Teaching, 25(3&4), 1-6.
Espey, M. (2018) ‘Enhancing critical thinking using team-based learning’, Higher Education Research & Development, 37:1, 15-29, DOI: 10.1080/07294360.2017.1344196
Grout, H. (2019). ‘Archiving critically: exploring the communication of cultural biases,’ in Spark: UAL Creative Teaching and Learning Journal, 4:1, pp.71-75
Karen Harris, (2022), ‘Embracing the silence: introverted learning and the online classroom’, Spark: UAL Creative Teaching and Learning Journal, Vol 5 / Issue 1, pp. 101–104
Kyrousi, A. (2022), ‘Laying the foundations for groupwork’, in Active Learning Network, University of Sussex, 100 Ideas for Active Learning, (Creative Commons).
Roberson, B., & Franchini, B. (2014). ‘Effective task design for the TBL classroom’. Journal on Excellence in College Teaching, 25(3&4), 275-302.
Willcocks, J. and Mahon, K, (2023), ‘The potential of online object-based learning activities to support the teaching of intersectional environmentalism in art and design higher education,’ Art, Design & Communication in Higher Education, Volume 22 Number 2, 2023

Talks and teaching:

Orgill, G. (2023), ‘Student Participation in One-off sessions’ UAL Education Conference, 2023.
Group Activity (2025), experienced during ‘Theories, Policies and Practices’ Unit 1 of PG Cert [Developed by UAL Academic Practice team]; delivered by Kwame Baah and Victor Guillen, January 2025.

Online resources:

ADHD Centre, London, (2023) ‘Our top tips and strategies to help students with ADHD’ https://www.adhdcentre.co.uk/our-top-tips-strategies-to-help-students-with-adhd/ (Accessed 1 June 2025)
Harvard Kennedy School, nd., ‘Guide to Small Group Learning,’ https://www.hks.harvard.edu/sites/default/files/Academic%20Dean’s%20Office/Guide%20to%20Small-Group%20Learning.pdf (Accessed 1 June 2025)
Imperial College, London, (2025), ‘Padlet for online teaching and learning’ https://www.imperial.ac.uk/media/imperial-college/staff/education-development-unit/public/Padlet-for-online-teaching-and-learning.pdf (Accessed 1 June 2025)
UAL Archives and Special Collections Centre Lib Guides, ‘Critical use of archives and collections’ https://arts.ac.libguides.com/c.php?g=681650&p=5196399 (Accessed 1 June 2025)
University of Waterloo, Canada, (2023) ‘Group Work in the Classroom: Types of Small Groups’ https://uwaterloo.ca/centre-for-teaching-excellence/catalogs/tip-sheets/group-work-classroom-types-small-groups (Accessed 1 June 2025)
Washington University in Saint Louis, Centre for Teaching and Learning, ‘Teaching Resources: Using Roles in Group Work,’ https://ctl.wustl.edu/resources/using-roles-in-group-work/ (Accessed 4 June 2025)

Footnotes:

  1. We explain what Trouillot means by Archival Bias with the following:
    “Archives can only show you what was recorded and later selected for preservation.​
    Material that has been preserved often relates to groups which have held power in a society or culture.
    Underrepresented groups in archives broadly mirror historically marginalised groups in our wider society​.”
    We then link students to a collection of resources that we add to on our Libguides that address this further as well as our ASO sessions, which help to unfold these issues in different ways, over a longer session.

    Our activity was reflected on by fellow archivist Hannah Grout (2019), “Teaching with archival materials creates a space to critique collections and the attitudes of the archive, enabling inclusive approaches to pedagogical and artistic practices, as well as provoking discussion of the archival process.”
    ↩︎
  2. ‘Student teams met in online breakout rooms to work with their digital objects and were invited to share some thoughts with the wider group when they returned to the main online classroom. While presentations and talks were recorded, breakout sessions were not, the aim being to create a safe space where students could share their ideas freely.’, Willcocks, 2019.
    So this is why it is important in my example that the first part of the activity happens within the small group discussion using paper, not on the padlet, to allow people to share their ideas to begin with and decide what to write down together, before sharing on the padlet. The padlet is then used at the next stage in the group sharing, to collectively take notes. ↩︎
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Inclusive Practices: Intervention idea

In our work in the Archives and Special Collections Centre, we run a lot of one-off workshops, in liaison with tutors, for courses.

These are often to introduce researching with archives, sharing the importance of considering archival bias, and may be tailored in terms of subject-matter, to the course brief.

Often within these sessions, we introduce short group activities in order to encourage students to engage with the concepts around archives and also the content we hold. The challenge is, we have not had previous contact with the students, so there is not the opportunity to build up a relationship with the individual students and understand their needs, ahead of time.

My colleague Georgina Orgill did some work for her PG cert on the expectations around verbal participation in class. Her solution was use of padlets, to facilitate students who may not feel comfortable to participate verbally, but may feel more confident to do so by writing on a padlet. I would like to extend this activity in some way, with group work.

With the group activities, these are already structured in a way that is meant to facilitate peer-to-peer learning, and then with a nominated student feeding back something to the general class discussion.

What we have noticed is sometimes during the general class discussion stage – students appear to switch off from listening to the other groups’ reporting. (If we have a group of say, 30 students, and they are grouped into 6 groups of 5, it can take a longish time for each group to feed back). This does not foster a very inclusive environment, and can also be a challenge for students with short attention spans.

I am wondering if there is a way we might adopt a mode of activity that allows for group activity and feedback, using the padlets to encourage those who do not feel comfortable to contribute verbally, but also prevents people from zoning out.

I would like to try doing something like what we did for a couple of the sessions in the ‘Theories, Policies, and Practices’ course, where groups feed back to each other and then swapped over, to report to each other, on what another group came up with.

I am not sure if this was based on a particular theoretical approach to group work, but I thought it was interesting.

But perhaps, do so in a digital way, on padlet, where we can build up the group responses in one place, collaboratively.

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Inclusive Practices Blog 1: Disability

Discuss specific examples from the resources that illustrate the intersection of disability with other identity aspects; Evaluate how these intersections impact the lived experiences of the interviewees.

In 2020 (around a highpoint in activism of the Black Lives Matter movement), Ade Adepitan spoke as a black disabled Paralympian, about how the intersecting struggles of both Black people against racism and disabled people against prejudice point to an issue of systemic racism (and ablism), but the struggles from both these communities can learn from each other. I would have been curious to hear more about how he experiences being among other disabled people, as a Black man, and also when he is among other Black people, as a disabled person. However, I can also appreciate how burdensome it might be to have to speak to these things all the time.

Adepitan did confide that he could not honestly say, if he had a child, that their lives would *not* be affected by the colour of their skin, or whether they had a disability. His lived experience has shown that despite no longer often hearing explicit verbal racist or ablist abuse, that the systemic forms of oppression he experiences are still in effect. On the other hand, his experience has shown him examples of when barriers for someone are genuinely removed, and support is given, how much they can achieve.

Chay Brown (2023) talked about being a white trans gay man with an invisible disability. He shares the relative priveleges, as he sees it, compared, perhaps to other members of the trans community, or other people who are disabled. However I think there are both challenges and privileges to having an invisible disability. On the one hand you can ‘pass’ as able bodied, and therefore receive privileges of a non-disabled person, on the other hand, as your disability is invisible, people might assume you are not affected by certain situations, or not realise you may be less able to do, or need more time to do, certain things than other people.

Brown shared an example where he recognised the impact of an event by a trade union organised well, with access in mind, because of the lived experiences of the organisers. That this experience is something that helped in his own activism and organising, to think about how to make events more inclusive for different access needs within the LGBTQ+ community.

Consider any recurring themes or differing perspectives highlighted in the interviews.

Visibility: All three speakers (Ade Adepitan, Christine Sun Kim and Chay Brown) talked about the importance of “visibility” in different ways. Adepitan noted that if you don’t see other people with disabilities around then that can foster discrimination at a social level – contributing to the social model of disability, that it is society as it is that disables people. Christine Sun Kim talked about the importance of making big artworks for her, to make the experiences of deaf people more visible. She also talked about the need, ultimately, to become visible within the hearing community, outside of her supportive network in the deaf community, to do so. Chay Brown talked about both how greater visibility of disability within the LGBTQ community had helped him to come accept his own mental health difficulties and neuro-atypical experiences. But he also talked about visibility in terms of the priviledges of ‘passing’ as a cis-gendered person and that his disabilities are invisible. (Adepitan, 2020); (Sun Kim, 2024); (Chay Brown, 2023).

Systemic oppression: Ade Adepitan talked about talked about systemic oppression and discriminiation that affects both black people and disabled people in different ways, and the deep history of oppression for black people, and disabled people. But he also talked about how disabled movement and anti-racist movements can learn from each other. This reflects Kimberle Crenshaw’s approach, where she introduced the term Intersectionality (1990).

Adepitan cited examples from the Paralympic movement that show that removing barriers to achievement “allows people to shine”. The main challenge, as he has seen it through various schemes attempted to both tackle inequality in terms of race, and of disability is that they have not addressed the systemic problems that inhibit black or disabled people getting jobs, for example. That the accommodations for disabled people appear to be too expensive or people, or alternatively that people may still not be recruited because of unspoken prejudices based on skin colour.

List the disability considerations in your own teaching context, drawing on UAL data and your own experience.

  1. I have been thinking about the Social Model of Disability both in this course, and for a while now. A big project I did last year was to initiate, and to produce and deliver an Access Route and Video with Audio Description and transcription for our service, to help people to feel prepared for what to expect when visiting the archive. I discussed this an example for my teaching observation last term. With a social model of disability in mind, I wanted to create something that could increase transparency around access to our service – both the challenges and the opportunities. The hope is, that by enacting changes to improve access, that it would benefit everyone. (Oliver, 2004); (Grigley, 2018)
  2. Regarding UAL as a whole, I think there is a lot of awareness around disability, but some aspects of the organisation still make access and inclusion really challenging. The ambitions around more recruitment (UAL, 2022), which will likely mean larger class sizes, not only mean that the tutors are not as able to give as much 1-2-1 support. Larger class sizes also make access within classroom spaces really challenging. Classrooms can be very crowded which both makes it difficult to physically enter and exit, but also it can be quite an overwhelming experience for both students and teachers. On the other hand, the offer of more online courses may help to facilitate participation from students who would otherwise find attending in person challenging, or where online access can facilitate asynchronous learning. But there is a challenge that facilitating real care for students would appear to come up against costs – as Chay Brown (2023) noted, it needs to be budgeted for.
  3. In terms of my own experience, living with a chronic disability and its effects, which significantly impacted my time as both an undergraduate and graduate student, I am aware of the challenges of those with unseen disabilities, or ill health and it’s impact on the student experience and learning. Having to take time out from studies due to ill health not only has the potential to affect attainment but also relationships with peers and the wider sense of feeling included in the student body. One has to spend a lot of time in self-advocacy, not only within college but in ones spare time, with the health service, which is very energy and time consuming (increasingly so, it feels, in the last 20 years or so). (Hughes et al, 2015). To take an intersectional approach however, I would also recognise my priviledge compared to others with invisible disabilities, in terms of coming from a middle class white background, I am less disadvantaged than others when it comes to interfacing with institutions in the UK, be it the health service or universities. (Crenshaw, 1990).

‘Ade Adepitan gives amazing explanation of systemic racism’, 2020 https://www.youtube.com/watch?v=KAsxndpgagU, Accessed 25/05/2025

‘Christine Sun Kim in “Friends & Strangers”’ – Season 11 | Art21, 2024, https://www.youtube.com/watch?v=2NpRaEDlLsI, Accessed 25/07/2025

Crenshaw, K. (1990) Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color. Stanford Law Review, 43(6), pp.1241-1299.

Grigley, J. (2018). ‘Thank You: On What it Means to Care’ , Talk at Stedelijk Museum Amsterdam, Available at https://www.youtube.com/watch?v=vG_cZjUP088 (Accessed 7 March 2025)

Hughes, K., Corcoran, T. and Slee, R. (2015) ‘Health-inclusive higher education: listening to students with disabilities or chronic illnesses’, Higher Education Research & Development, 35(3), pp. 488–501. doi: 10.1080/07294360.2015.1107885.

‘Intersectionality in Focus: Empowering Voices during UK Disability History Month 2023’, (Interview with Chay Brown) https://www.youtube.com/watch?v=_yID8_s5tjc, Accessed

Oliver, M. (2004). ‘The Social Model in Action: if I had a hammer’ in Barnes, C. and Mercer, G. (ed.) Implementing the Social Model of Disability: Theory and Research Leeds: The Disability Press, pp. 18-31.

Stanford Graduate School of Education (2025). What is synchronous and asynchronous learning? Available at https://teachingresources.stanford.edu/resources/what-is-synchronous-and-asynchronous-learning/ (Accessed online, 7 March 2025)

UAL Strategy 2022-2032, Guiding Policy 2, ‘To bring a high-quality creative education to more students than ever before.’ https://www.arts.ac.uk/about-ual/strategy-and-governance/strategy/guiding-policy-2

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Case Study 3: Assessing learning and exchanging feedback (A3, V3)

Contextual Background

Group course work is recognised as having value in developing students’ skills relevant to employment. These include team-working; collaboration and organisational and personal time management. (UCL, 2019). Assessing group projects is challenging (Forsell et al, 2021). Last year I experienced the challege of trying to assess individual contribution of students versus the group’s work as a whole for the first time.

Evaluation

‘Group think’ (UNSW, 2025), was evident among students. This played out in a strange way. Students presented divergent thinking, but they wanted to avoid jettisoning anyone’s idea. This was in the name of inclusivity. The final project thus risked incoherence. But it also reflected the fact that the assessment criteria were in tension with each other. For example, between process and result.

It was tricky to understand why some contributed more than others within the group. I felt aware of my potential biases as a teacher in assessing this. This included gender differences, and language skill. It also related to the ability for students to do work outside of the lesson in their spare time. But also some were ambivalent about the project from the beginning.

Moving forwards 

In future I would sask for more clarification from course leaders about assessment (e.g. assessing process, versus result). Also how much the activity of doing the group work aligns with the learning outcomes. e.g. Are we actually assessing the “soft skills” of working effectively in groups? “If so, explicitly include them in the assessment criteria and reward their development in the grading.” (UNSW, 2025).

I would also want to review the nature and complexity of the task/brief being set within the time frame. This is particularly important if there is an implicit expectation that students are needing to meet and work as a group outside of class. This can jeapordise inclusivity and fairness, for example if students are juggling their studies with a job. A resulting solution might be that group work could be a simpler task and a smaller element of the overall unit mark,

Provide more guidance for students on the reasons for group work. Provide opportunities to discuss the assessment criteria further too. I could use the guidance provided by UNSW as a model. This model also suggests that students create a sort of ‘contract’ at the start of the project. In my case study, students had created one based on shared values. But in future I could suggest it include agreement on division of labour and roles within the team.

Being aware of observed gender differences in behaviour within group work. Scholars have percieved a tendency towards ‘social loafing’ in men (Tosuntaş, 2020). At the same time, being mindful that this may be an ‘effect’ of another dynamics within the group as well. These might include group size, and investment in the project. Experimenting with smaller group sizes could be helpful. (Challenging when the class itself is very large).

Accept a certain amount of difficulty with these group project scenarios. That they reflect something of what Orr and Shreeve (2018) describe as the ‘stickiness’ of an arts curriculum. That the formative is as important as the summative in these feedback scenarios. Accepting this myself might help to also moderate student anxiety around the ambiguities involved in these kind of projects.

References

Forsell, J., Frykedal, K. F., Chiriac, E. H., Hui, S. K. F. (2021), ‘Teachers’ perceived challenges in group work assessment’, Cogent Education (2021), 8: 1886474. doi: 10.1080/2331186X.2021.1886474

Orr, S. and Shreeve, A. (2018). Art and Design Pedagogy in Higher Education: Knowledge, Values and Ambiguity in the Creative Curriculum, Abingdon: Routledge

UCL Arena Centre (2019). Assessing group work (2019). Available at:  https://www.ucl.ac.uk/teaching-learning/publications/2019/aug/assessing-group-work (Accessed: 14 March 2025]

University of New South Wales (2025). Assessing group work, Available at: https://www.teaching.unsw.edu.au/assessing-group-work (Accessed: 14 March 2025)

University of New South Wales (2025), Student Guide to working in Groups. Available at: https://www.teaching.unsw.edu.au/sites/default/files/upload-files/student_working_in_groups.pdf (Accessed: 14 March 2025)

Tosuntaş, Ş. B. (2020). ‘Diffusion of responsibility in group work: Social loafing,’ Journal of Pedagogical Research, (2020). 4(3), pp. 344-358. doi: 10.33902/JPR.2020465073

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Review of Teaching Practice [Tutor review of my resource]

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Screenshot of Access Video with Audiodescription

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Related Access Route Document.

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Review of Teaching Practice [Peer to Peer: Kalpesh Lathigra’s observation of me]

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Review of Teaching Practice [Peer to Peer: My observation of Kalpesh Lathigra]

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‘Focus’: Kal mid-flow during teaching session, 20th January 2025. Photo by Lucy Catherine Parker
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